![]() With full, warm digital recording, there is no finer version available, combining as it does so many of the special qualities one finds in the Chung and Mutter versions on the one hand, and in the strong, incisive Krebbers on the other. Itzhak Perlman vn Philharmonia Orchestra / Carlo Maria Giulini ![]() Poetry and virtuosity are held in perfect poise, with Ludwig and the Philharmonia providing a near-ideal accompaniment. This is one of the – perhaps the most – perfect accounts of the Fourth Concerto ever recorded. His approach is, above all, lyrical.Įmil Gilels pf Philharmonia Orchestra / Leopold Ludwig Every note is present and accounted for, nothing ever fudged, all within an exquisitely calculated proportionality. Of all pianists before the public today, Ohlsson’s technique is among the most honest. ![]() Garrick Ohlsson pf Grand Teton Music Festival Orchestra / Sir Donald Runnicles The perfect civility of Perahia’s playing is a joy, the deeply felt slow movements particularly rewarding (try that of the Fourth, following the choice of the longer of the two cadenzas for the first movement). There is something reassuring about the readings of all five concertos. Murray Perahia pf Concertgebouw Orchestra / Bernard Haitink Maria João Pires pf Swedish Radio Symphony Orchestra / Daniel HardingĮven with a never-ending stream of Beethoven piano concerto recordings, whether from established masters (Kempff, Arrau, Gilels, etc) or work in progress (Andsnes and Sudbin), few performances come within distance of Pires’s Classical/Romantic perspective. The sensation of shared listening, between Bronfman and the players and between the players themselves, is at its most acute in the First Concerto’s Largo, which although kept on a fairly tight rein is extremely supple (the woodwinds in particular excel). Yefim Bronfman pf Tonhalle Orchestra, Zurich / David Zinmanīrilliant Classics (originally Arte Nova) Review of Vol 3: To have arrived so soon at the end of this journey seems almost a pity, for the company has been most engaging, by turns profound and delightful. Mahler Chamber Orchestra / Leif Ove Andsnes pf 'The Beethoven Journey' (Piano Concertos Nos 1-5. May I say at once that Harmonia Mundi’s eagerly awaited set is a superlative achievement and that Lewis’s partnership with Jirí Belohlávek is an ideal match of musical feeling, vigour and refinement. Paul Lewis pf BBC Symphony Orchestra / Jiří Bělohlávek It does not seek to banish all conventional wisdom about the pieces, but it has asked a lot of questions about them, as interpreters should, and I warm to it not only for the boldness of its answers but for finding so many of the right questions to ask. Pierre-Laurent Aimard pf Chamber Orchestra of Europe / Nikolaus Harnoncourt The 50 best Johannes Brahms albums Orchestral Piano Concertos Nos 1-5.The 50 best Wolfgang Amadeus Mozart recordings.The 50 best Johann Sebastian Bach recordings. ![]() To find out more about subscribing to this unique and endlessly fascinating resource, visit: .uk/subscribe. We have also included, where possible, the complete original Gramophone reviews, which are drawn from Gramophone's Reviews Database of more than 40,000 reviews. The list is organised by genre, beginning with orchestral works, then moving though chamber, instrumental and vocal. Included here are Gramophone Award-winning albums, Recordings of the Month and Editor's Choice recordings. We are proud to present 50 of the finest recordings of Ludwig van Beethoven's music. What he did was genuinely courageous: his single-minded vision, idealism, determination and personal bravery are awe-inspiring. Ludwig van Beethoven dragged music from the Classicism of the 18th century into the Romantic era, which dominated musical thinking for 100 years. ![]()
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